André Kertész is one of the figures who shaped modern photography. From the First World War onwards, his independent spirit led him to practise an art based on spontaneity and sincerity, seeking out the chance moments that ‘capture the true nature of things.’ Tender, nostalgic, modest, he forged a new path for photography, a kind of poetic realism that was neither forced nor sh...(展开全部)

André Kertész (1894-1985) was one of the most inventive, influential, and prolific photographers in the medium's history. His combination of Modernist vision and poetic wit defined a vocabulary that generations of photographers have continued to use. Kertész's iconic images of 1920s Paris, such as "Chez Mondrian" and "Satiric Dancer" and his later images from New York "Melanch...(展开全部)

André Kertész (1894-1985) was one of the most inventive, influential, and prolific photographers in the medium's history. His combination of Modernist vision and poetic wit defined a vocabulary that generations of photographers have continued to use. Kertész's iconic images of 1920s Paris, such as "Chez Mondrian" and "Satiric Dancer" and his later images from New York "Melanch...(展开全部)

达德利·安德鲁：美国当代著名电影学者，曾任美国爱荷华大学电影学教授，现为美国耶鲁大学电影与比较文学教授。他的理论专著《电影理论概念》、《主要电影理论》，已经成为当代电影理论经典。他曾在1998年提出“宏大电影理论”概念，促进了倡导“美国电影理论革命”的大卫•波德威尔和诺尔•卡罗尔等创立电影“认知科学”理论。他反对法国学派的宏大理论，特别是在美国曾经产生重大影响的电影精神分析学理论和意识形态分析，以及麦茨的符号学、索绪尔的语言学。时至今日，安德鲁仍坚持以影片本身为基础和目标的经验性研究方向。

Andre Bazin's impact on film art is widely considered to be greater than that of many directors, actors, and producers. He is credited with almost single-handedly establishing the study of film as an accepted intellectual pursuit. Updating the paperback edition of 1977, Dudley Andrew has written a completely new introduction and provided an additional essay by Jean-Charles Tacc...(展开全部)

简介：（文笔不好慎入）【原创】【已签约】“你就是俞乐轩？”一位身着黑色西装的男人坐在椅子上，用蔑视的眼神看着他。         “你想干什么？”俞乐轩被人绑着，眼镜也被蒙住，他跪在地上。         “回答我的问题”男人摘掉了他的眼罩，带着黑皮手套的手抓住俞乐轩的头发，强迫俞乐轩抬起头来。          “我是！”俞乐轩答道。          “那就没错了！”男人笑道。

简介：（文笔不好慎入）【原创】【已签约】“你就是俞乐轩？”一位身着黑色西装的男人坐在椅子上，用蔑视的眼神看着他。         “你想干什么？”俞乐轩被人绑着，眼镜也被蒙住，他跪在地上。         “回答我的问题”男人摘掉了他的眼罩，带着黑皮手套的手抓住俞乐轩的头发，强迫俞乐轩抬起头来。          “我是！”俞乐轩答道。          “那就没错了！”男人笑道。

简介：这个病劲比较小不是正经日记

简介：救赎 苏朱

One of the most important writers of the twentieth century, Andre Gide also led what was probably one of the most interesting lives our century has seen. Gide knew and corresponded with many of the major literary figures of his day, from Mallarme to Oscar Wilde. Though a Communist, his critical account of Soviet Russia in "Return from the USSR" earned him the enmity of the Left...(展开全部)